✷收錄KRISS.PI 2023-2025的作品 飽含刺青．繪畫．草稿
kriss.pi深受粗獷主義建築和重型工業機械的粗獷景象影響 線條充滿快速道路與車內視角景象 出生於波蘭造船廠區的創作者kriss.pi 刺青已成為他的主要表達方式和全職工作 但仍在探索其他媒介 例如古典繪畫、雕塑、素描和服裝設計。
專注於大型的刺青創作項目 喜歡玩視角、交通工具和節奏將 自己的作品視為數學方程式。

✷KRISS. PI
✷Deeply influenced by the raw aesthetics of Brutalist architecture and heavy industrial machinery, Kris lines are filled with images of highways and interior car perspectives.
Growing up in a Polish shipyard area, tattooing gradually became his main language of expression and full-time practice.
At the same time, Kriss.pi continue to explore other mediums, including classical painting, sculpting , drawing, fashion and product design.
Kris currently focus on large-scale tattoo projects. He obsessively plays with perspective, vehicles, and rhythm, treating his works like mathematical equation.

✷蛆；菌（@naked_chujun） is a publishing platform and independent bookstore, hosting both online and offline events.
We focus on how contemporary visual creators respond to society and navigate everyday life, asking questions, observing, and documenting their perspectives.
We look for creators in diverse forms, full of potential, and experiment with different approaches and combinations to generate new possibilities.

✷ SPEC MAGAZINE
✷@supekkumag
✷Light and darkness in direct confrontation and overlap.
✷An alternative path amid the ebb of globalization.
✷Uncertainty as the only certainty.
✷Modern archaeology of the digital wasteland.
✷Focusing on how contemporary visual creators respond to society and shape their ways of living, while questioning and documenting their process.

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350 pages
Size 14cm x 9cm x 3cm
Printed by Kopa
Design by Sometimes Always

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✷創作者:Ben Mendelewicz
✷17.78 cm × 25.4 cm/ Full Color
✷ 頁數:36 pages. Saddle Stitch.

✷ Ben Mendelewicz 現居美國紐約
作品與他個人意識形態和世界觀緊密相連
作品充滿了反烏托邦氛圍 科技反思
超現實幽默與壓迫感 “侵略性 Photoshop”
他利用大量的Google照片資料庫的化演算法 網路影像收集與數位拼貼
創建這些高度飽和影像 需要花費漫長過程搜尋照片 在進行後製處理篇排✩
✷實驗音樂組合 Macula Dog

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✷FIELD is the continuation of Miró Ingmar Tiebe alias @m.i.r.u.e.l first book „FRAGMENTS“, that got released by @100for10 in 2022 and is the practical part of his master’s thesis in illustration.
The main component of his thesis was an explanation, summary and critical reflection of his sources of inspiration.
These are two aspects of the critical reflection:
- The role models of women and men
- The representation of stereotypical ideals of beauty for women and men
Sources of inspiration are, Art historical eras, movements, Styles, subgenres:
- Science fiction
- Fantasy
- Art Nouveau
- Art Deco
- Romance
- Early Renaissance 1410 – 1500
After critically reflecting on his sources of inspiration, the focus of his final thesis was the further development of his style as an illustrator.
This further development had the following technical goals:
- Graphical image structure and Image composition
- Effective reallocation of the graphical Work steps
- Narrative access through color ⁠
Graduated from Prof. Alexandra Kardinar and Prof. Henning Kles. @dmi_hawhamburg

✷ FIELD
✷creator Miró Ingmar Tiebe
✷Published by 100for10
✷Pages: 106 pages
✷Language: English
✷Format: 8.27 x 5.83 inch / 14,8 x 21 cm
✷Features: Black & white, Paperback, Glossy Cover
✷Publisher: Melville Brand Design

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我在2017年開始創作《CASTLE》。但過了太久，我已經不太記得我當初是怎麼開始有這個想法。我畫了幾頁準備申請當時法國安古蘭的漫畫駐村計畫，但沒有被錄取，這讓我很受挫，所以這部作品就被擱置了。
從那時起，我一直想完成它，並在2023年重新開始創作。2017年的時候，我非常喜歡（西方）中世紀的主題，我想這也是為什麼我試著創作一部與城堡相關的漫畫。事實上，漫畫中的城堡更像是一個Backroom，而不是真正的城堡。
我不喜歡人們喜歡某些東西只是因為它有某種”異國風情’’，但我確實覺得城堡很酷。而且中世紀的城堡和騎士從我小時候起就一直是漫畫、電影、遊戲和其他媒體的主題，所以我想這就是我的意思……我真的很想有一天能在歐洲進行一場城堡巡禮。

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Carlos González Boy來自西班牙的漫畫家 現在活動於柏林與西班牙南部家鄉之間 多年來都是自己出版漫畫與銷售 最近與APA-APA Comics合作出版了第一本漫畫書 這本書叫做《PARQUE CIUDAD》他們給我了完全的創作自由 結果我也很滿意 是一本很美麗的書
有時我也喜歡進行其他藝術創作 例如繪畫與陶藝 通常這些題材都和我漫畫的世界觀有關

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✷Cover Desing:Quentin Gomzé
✷Back Cover: LIAOYEN-WE

✷UNIT✷

✷TATTOO:
ASA/Baebolsu/Domi/JUMI/LOWZZ/Loïc Le Hécho/POLO/Tour/Vesper/Wendy/Yam hate recycling 420
✷COMICS:
Acacio Ortas/a.siangsiao/ Jimmysox / Kogan /Park Joon-Woo/Paul descmps/ SMALLTALK/yopojo
✷VISUAL ART:
Dwiky KA/ Felipe Bolivar/ LEE ILJU/Matt Lock/ otto splotch/Thami Nabil
✷DIY:
陳念瑩
✷VENUE:
ACS
✷COMMUNICATE:
管弘志/ LIAOYEN-WE

✷256Pages
✷21cm x 27.6 cm

✷Editor:
I CHUN CHEN
LIAOYEN-WE
XUE TSUNG HSIEN

✷Interview:
I CHUN CHEN
LIAOYEN-WE

✷Proofreading:
陽光

✷Publishing by 蛆；菌(CHU;JUN)
supekkumag@gmail.com

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2014年以來 我開始《Mediocridad Innata》試圖以實驗性的圖形格式收集我的委託繪畫和商業繪畫✩第 4 期包含 2019 年至 2023 年的作品 我決定自己印刷 嘗試膠印.網版印刷和黑色碳粉印刷 封面使用燙金✩甚至包括膠印頁（使用一些朋友的海德堡印表機將洋紅色墨水更改為霓虹粉紅色以獲得更鮮豔的顏色，這產生了奇怪的結果。如果將普通黃色更改為霓虹黃色，看起來會更好）。我的作品在商業上是失敗的✩自己出版跟銷售是我從這本zine中獲得獎勵的唯一途徑✩
我不能談論神秘的zine 它可能有一天會被曝光 讓我們期盼最好的結果✩
✩
✩DESCRIPTION✩
7.7 x 21.4cm / 6.9 x 8.4 in
44 pages
16 Xerox over newsprint pages
12 4 ink screen print over recycled cardboard pages
16 traditional offset over snow cream paper pages
Metallic green and purple letterpressed and full color digital stickers over neon red and purple thick papers.
200 numbered copies.
✩✩Abraham Díaz✩✩

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