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	<title>drawing -</title>
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		<title>✷Track✷</title>
		<link>https://chu-jun.com/product/%e2%9c%b7track%e2%9c%b7/</link>
		
		<dc:creator><![CDATA[nakedchun2784]]></dc:creator>
		<pubDate>Tue, 03 Mar 2026 17:38:35 +0000</pubDate>
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					<description><![CDATA[<p>✷TRACK<br />
✷A collection of KRISS.PI works from 2023–2025, including tattoos, paintings, and sketches.<br />
✷KRISS.PI for all artworks<br />
✷EDITOR<br />
I CHUN CHEN<br />
LIAO YEN-WEI<br />
✷Published by 蛆；菌(CHU;JUN)/SPEC MAGAZINE<br />
✷60Pages<br />
✷14x26.7cm<br />
✷Publication date 2026</p>
<p>✷收錄KRISS.PI 2023-2025的作品 飽含刺青．繪畫．草稿<br />
kriss.pi深受粗獷主義建築和重型工業機械的粗獷景象影響 線條充滿快速道路與車內視角景象 出生於波蘭造船廠區的創作者kriss.pi 刺青已成為他的主要表達方式和全職工作 但仍在探索其他媒介 例如古典繪畫、雕塑、素描和服裝設計。<br />
專注於大型的刺青創作項目 喜歡玩視角、交通工具和節奏將 自己的作品視為數學方程式。</p>
<p>✷KRISS. PI<br />
✷Deeply influenced by the raw aesthetics of Brutalist architecture and heavy industrial machinery, Kris lines are filled with images of highways and interior car perspectives.<br />
Growing up in a Polish shipyard area, tattooing gradually became his main language of expression and full-time practice.<br />
At the same time, Kriss.pi continue to explore other mediums, including classical painting, sculpting , drawing, fashion and product design.<br />
Kris currently focus on large-scale tattoo projects. He obsessively plays with perspective, vehicles, and rhythm, treating his works like mathematical equation.</p>
<p>✷蛆；菌（@naked_chujun） is a publishing platform and independent bookstore, hosting both online and offline events.<br />
We focus on how contemporary visual creators respond to society and navigate everyday life, asking questions, observing, and documenting their perspectives.<br />
We look for creators in diverse forms, full of potential, and experiment with different approaches and combinations to generate new possibilities.</p>
<p>✷ SPEC MAGAZINE<br />
✷@supekkumag<br />
✷Light and darkness in direct confrontation and overlap.<br />
✷An alternative path amid the ebb of globalization.<br />
✷Uncertainty as the only certainty.<br />
✷Modern archaeology of the digital wasteland.<br />
✷Focusing on how contemporary visual creators respond to society and shape their ways of living, while questioning and documenting their process.</p>
<p>The post <a href="https://chu-jun.com/product/%e2%9c%b7track%e2%9c%b7/">✷Track✷</a> first appeared on <a href="https://chu-jun.com"></a>.</p>]]></description>
										<content:encoded><![CDATA[<p>✷TRACK<br />
✷A collection of KRISS.PI works from 2023–2025, including tattoos, paintings, and sketches.<br />
✷KRISS.PI for all artworks<br />
✷EDITOR<br />
I CHUN CHEN<br />
LIAO YEN-WEI<br />
✷Published by 蛆；菌(CHU;JUN)/SPEC MAGAZINE<br />
✷60Pages<br />
✷14x26.7cm<br />
✷Publication date 2026</p>
<p>✷收錄KRISS.PI 2023-2025的作品 飽含刺青．繪畫．草稿<br />
kriss.pi深受粗獷主義建築和重型工業機械的粗獷景象影響 線條充滿快速道路與車內視角景象 出生於波蘭造船廠區的創作者kriss.pi 刺青已成為他的主要表達方式和全職工作 但仍在探索其他媒介 例如古典繪畫、雕塑、素描和服裝設計。<br />
專注於大型的刺青創作項目 喜歡玩視角、交通工具和節奏將 自己的作品視為數學方程式。</p>
<p>✷KRISS. PI<br />
✷Deeply influenced by the raw aesthetics of Brutalist architecture and heavy industrial machinery, Kris lines are filled with images of highways and interior car perspectives.<br />
Growing up in a Polish shipyard area, tattooing gradually became his main language of expression and full-time practice.<br />
At the same time, Kriss.pi continue to explore other mediums, including classical painting, sculpting , drawing, fashion and product design.<br />
Kris currently focus on large-scale tattoo projects. He obsessively plays with perspective, vehicles, and rhythm, treating his works like mathematical equation.</p>
<p>✷蛆；菌（@naked_chujun） is a publishing platform and independent bookstore, hosting both online and offline events.<br />
We focus on how contemporary visual creators respond to society and navigate everyday life, asking questions, observing, and documenting their perspectives.<br />
We look for creators in diverse forms, full of potential, and experiment with different approaches and combinations to generate new possibilities.</p>
<p>✷ SPEC MAGAZINE<br />
✷@supekkumag<br />
✷Light and darkness in direct confrontation and overlap.<br />
✷An alternative path amid the ebb of globalization.<br />
✷Uncertainty as the only certainty.<br />
✷Modern archaeology of the digital wasteland.<br />
✷Focusing on how contemporary visual creators respond to society and shape their ways of living, while questioning and documenting their process.</p>
<p>The post <a href="https://chu-jun.com/product/%e2%9c%b7track%e2%9c%b7/">✷Track✷</a> first appeared on <a href="https://chu-jun.com"></a>.</p>]]></content:encoded>
					
		
		
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		<title>Baraman</title>
		<link>https://chu-jun.com/product/baraman/</link>
		
		<dc:creator><![CDATA[nakedchun2784]]></dc:creator>
		<pubDate>Thu, 26 Jun 2025 17:27:44 +0000</pubDate>
				<guid isPermaLink="false">https://chu-jun.com/?post_type=product&#038;p=2313</guid>

					<description><![CDATA[<p>✷BARAMAN✷<br />
✷ARTHORYMEN -Archive Project<br />
✷title: BARAMAN-Prologue<br />
✷year:2025<br />
✷size:18,2x12,8cm<br />
✷原口勉✩<a href="https://www.instagram.com/tsutomuharaguchicom/" title="Tsutomu Haraguchi">Tsutomu Haraguchi</a><br />
✷以arthorymen名義，自2005年開始進行題名為「HORYMAN與鯱（註：虎頭魚體之日本海獸）」漫畫風格繪畫作品的系列創作✩而後，更創作了BARAMAN、ANIMI-ZOOM、ミシマエモンとマッカーミウス対馬での蜜月等系列作品✩他的作品中反映出日本近現代史，以及萬物有靈論✩這些作品透過使用原子筆或麥克筆在影印紙上作畫、或是色紙等所謂日用品創作而成，體現出了所謂現代的繪畫素材，乃「存在於日常之物」的想法✷</p>
<p>The post <a href="https://chu-jun.com/product/baraman/">Baraman</a> first appeared on <a href="https://chu-jun.com"></a>.</p>]]></description>
										<content:encoded><![CDATA[<p>✷BARAMAN✷<br />
✷ARTHORYMEN -Archive Project<br />
✷title: BARAMAN-Prologue<br />
✷year:2025<br />
✷size:18,2x12,8cm<br />
✷原口勉✩<a href="https://www.instagram.com/tsutomuharaguchicom/" title="Tsutomu Haraguchi">Tsutomu Haraguchi</a><br />
✷以arthorymen名義，自2005年開始進行題名為「HORYMAN與鯱（註：虎頭魚體之日本海獸）」漫畫風格繪畫作品的系列創作✩而後，更創作了BARAMAN、ANIMI-ZOOM、ミシマエモンとマッカーミウス対馬での蜜月等系列作品✩他的作品中反映出日本近現代史，以及萬物有靈論✩這些作品透過使用原子筆或麥克筆在影印紙上作畫、或是色紙等所謂日用品創作而成，體現出了所謂現代的繪畫素材，乃「存在於日常之物」的想法✷</p>
<p>The post <a href="https://chu-jun.com/product/baraman/">Baraman</a> first appeared on <a href="https://chu-jun.com"></a>.</p>]]></content:encoded>
					
		
		
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