✷Track✷

✷TRACK
✷A collection of KRISS.PI works from 2023–2025, including tattoos, paintings, and sketches.
✷KRISS.PI for all artworks
✷EDITOR
I CHUN CHEN
LIAO YEN-WEI
✷Published by 蛆；菌(CHU;JUN)/SPEC MAGAZINE
✷60Pages
✷14×26.7cm
✷Publication date 2026

✷收錄KRISS.PI 2023-2025的作品 飽含刺青．繪畫．草稿
kriss.pi深受粗獷主義建築和重型工業機械的粗獷景象影響 線條充滿快速道路與車內視角景象 出生於波蘭造船廠區的創作者kriss.pi 刺青已成為他的主要表達方式和全職工作 但仍在探索其他媒介 例如古典繪畫、雕塑、素描和服裝設計。
專注於大型的刺青創作項目 喜歡玩視角、交通工具和節奏將 自己的作品視為數學方程式。

✷KRISS. PI
✷Deeply influenced by the raw aesthetics of Brutalist architecture and heavy industrial machinery, Kris lines are filled with images of highways and interior car perspectives.
Growing up in a Polish shipyard area, tattooing gradually became his main language of expression and full-time practice.
At the same time, Kriss.pi continue to explore other mediums, including classical painting, sculpting , drawing, fashion and product design.
Kris currently focus on large-scale tattoo projects. He obsessively plays with perspective, vehicles, and rhythm, treating his works like mathematical equation.

✷蛆；菌（@naked_chujun） is a publishing platform and independent bookstore, hosting both online and offline events.
We focus on how contemporary visual creators respond to society and navigate everyday life, asking questions, observing, and documenting their perspectives.
We look for creators in diverse forms, full of potential, and experiment with different approaches and combinations to generate new possibilities.

✷ SPEC MAGAZINE
✷@supekkumag
✷Light and darkness in direct confrontation and overlap.
✷An alternative path amid the ebb of globalization.
✷Uncertainty as the only certainty.
✷Modern archaeology of the digital wasteland.
✷Focusing on how contemporary visual creators respond to society and shape their ways of living, while questioning and documenting their process.